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AP Art History

AP · College BoardArt History39 notes in 10 folders, 322 KB

Notes for AP Art History (College Board), in folders for the ten content areas in the course's order, from Global Prehistory to Global Contemporary. Each note groups related required works and gives, for each, the artist or culture, date, medium, location and the main points of form, function, content and context, with the vocabulary of each area defined where it is used. Delete the folders your class does not cover.

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What is inside

  • Global prehistory
    • Analysing a work of art6 KB
    • Early paintings and carvings: Apollo 11 stones to the Arabian stele7 KB
    • Neolithic and later prehistoric works: Jade cong to Lapita pottery6 KB
  • Ancient Mediterranean
    • Mesopotamia and Old Kingdom Egypt: White Temple to the Code of Hammurabi10 KB
    • New Kingdom Egypt and Neo-Assyria: Karnak to the lamassu8 KB
    • Archaic Greece, Persia and the Etruscans: Athenian agora to the Tomb of the Triclinium8 KB
    • Classical and Hellenistic Greece: Niobides Krater to the Seated boxer9 KB
    • Republican and early Imperial Rome: House of the Vettii to Augustus of Prima Porta6 KB
    • Imperial Roman architecture and sarcophagi: Colosseum to the Ludovisi sarcophagus6 KB
  • Early Europe and colonial Americas
    • Late Antique and Byzantine Europe: Catacomb of Priscilla to the Sinai icon8 KB
    • Early medieval Europe and Umayyad Spain: Merovingian fibulae to the Pyxis of al-Mughira6 KB
    • Romanesque and Gothic Europe: Sainte-Foy to the Röttgen Pietà8 KB
    • Late medieval painting and Spanish courts: Arena Chapel, Golden Haggadah and the Alhambra5 KB
    • The early Renaissance in Italy and the north: Merode Altarpiece to Dürer's Adam and Eve11 KB
    • The High Renaissance, Mannerism and the Reformation: Sistine Chapel to Il Gesù11 KB
    • Late Renaissance and Baroque in Europe: Hunters in the Snow to the Ecstasy of Saint Teresa8 KB
    • Baroque Europe and colonial Latin America: Angel with Arquebus to Marriage à la Mode13 KB
  • Later Europe and Americas
    • The Enlightenment and Neoclassicism: Sor Juana to Vigée Le Brun8 KB
    • Romanticism and Gothic Revival: Goya to the Palace of Westminster8 KB
    • Photography, Realism and Impressionism: Daguerre to Muybridge7 KB
    • Late 19th-century art: Velasco to Cézanne9 KB
    • Early 20th-century modern art: Les Demoiselles d'Avignon to Kollwitz10 KB
    • Between the wars and the 1940s: Villa Savoye to Duchamp's Fountain12 KB
    • Postwar art and architecture: de Kooning to Venturi10 KB
  • Indigenous Americas
    • Chavín, Ancestral Puebloan, Maya and Mississippian works6 KB
    • Mexica and Inka works: Templo Mayor to the Inka tunic8 KB
    • North American works of the 19th and 20th centuries6 KB
  • Africa
    • African architecture and royal arts: Great Zimbabwe to the Kuba ndop7 KB
    • African masks and figures: Nkisi n'kondi to Olowe of Ise10 KB
  • West and Central Asia
    • West and Central Asian sacred sites and buildings: Petra to the Isfahan mosque8 KB
    • West and Central Asian books, metalwork and carpets: Qur'an folio to the Ardabil Carpet6 KB
  • South, East and Southeast Asia
    • Early India, China, Korea and Japan: Sanchi to Todai-ji8 KB
    • Southeast Asia, India and China to the Yuan: Borobudur to the David Vases9 KB
    • Later Asian works: Sin Sukju portrait to Chairman Mao en Route to Anyuan10 KB
  • The Pacific
    • Pacific monuments and figures: Nan Madol to the Nukuoro deity6 KB
    • Pacific textiles, masks and performance: Buk to the Fijian presentation of 19537 KB
  • Global contemporary
    • Global contemporary art, 1979 to 1990: The Gates to Cindy Sherman9 KB
    • Global contemporary art, 1991 to 1997: Ringgold to the Guggenheim Bilbao10 KB
    • Global contemporary art, 1998 to 2011: Mori to Ai Weiwei11 KB

The first note

Global prehistory / Analysing a work of art

Art historians describe and explain a work by asking what it is made of, what it looks like, what it was for, what it shows and where it came from. The vocabulary below is used for every work in the course, from a cave painting to an installation, so it is worth having it exact before looking at any individual object. ## Describing what a work is The **medium** is the material the work is made from, such as oil paint on canvas, bronze, limestone or video. The **technique** is the process used to work the material: carving, casting, weaving, etching, or building up paint in layers. Two works in the same medium can be made by very different techniques, and a choice of technique often tells you something about the maker's training, the tools available and the time the work took. **Form** is a work's visible physical qualities: its shape, size, materials, color and the way it is put together. **Composition** is the arrangement of the elements within the work, for example whether a painting is symmetrical, whether figures are placed in a pyramid, or whether a building is organized around a central axis. **Style** is the recognizable manner shared by a group of works, whether by one artist, one period, one region or one movement. Style is how an art historian recognizes that a work belongs with others. ### Design elements and principles The **design elements** are the basic components an artist works with: line, shape, color, texture, space, value (lightness and darkness) and…

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