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SQA Higher English

Higher · SQAEnglish Language41 notes in 18 folders, 208 KB

Notes for SQA Higher English, in folders for reading unseen non-fiction (understanding, analysis and evaluation), the Scottish texts on SQA's list for 2025-26 onwards, one folder per text or poet, and the critical essay across drama, prose, poetry, film and television drama, and language. The method notes use short passages of my own. Delete the Scottish texts your class does not study once the notes are yours.

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What is inside

  • Reading for understanding, analysis and evaluation
    • Reading a non-fiction passage6 KB
    • Own words, summary and inference5 KB
    • Word choice and vocabulary in context5 KB
    • Imagery and figurative language6 KB
    • Sentence structure5 KB
    • Punctuation5 KB
    • Tone and register5 KB
    • Text structure and linkage5 KB
    • Evaluation, evidence and persuasion6 KB
    • Comparing two passages5 KB
  • Scottish texts
    • Reading Scottish texts
      • Analysing a Scottish text6 KB
    • Drama, Sequamur
      • Sequamur by Donald S Murray5 KB
    • Drama, Men Should Weep
      • Men Should Weep by Ena Lamont Stewart6 KB
    • Drama, The Slab Boys
      • The Slab Boys by John Byrne6 KB
    • Prose, Dr Jekyll and Mr Hyde
      • Dr Jekyll and Mr Hyde: plot and characters6 KB
      • Dr Jekyll and Mr Hyde: themes, context and methods6 KB
    • Prose, The Sunlight Pilgrims
      • The Sunlight Pilgrims by Jenni Fagan4 KB
    • Prose, Iain Crichton Smith
      • Iain Crichton Smith: The Red Door, Mother and Son, The Painter6 KB
    • Prose, Scottish short stories
      • Scottish short stories: McClory, Logan, Mackay Brown and Williamson7 KB
    • Poetry, Carol Ann Duffy
      • Carol Ann Duffy: Originally, In Mrs Tilscher's Class and Before You Were Mine5 KB
      • Carol Ann Duffy: Mrs Midas, Medusa and Havisham5 KB
    • Poetry, Norman MacCaig
      • Norman MacCaig: Aunt Julia, Old Highland Woman and Landscape and I4 KB
      • Norman MacCaig: Basking Shark, Hotel Room 12th Floor and On Lachie's Croft4 KB
    • Poetry, Liz Lochhead
      • Liz Lochhead: My Rival's House, Box Room and Last Supper5 KB
      • Liz Lochhead: For My Grandmother Knitting, The Spaces Between and Sorting Through4 KB
    • Poetry, Don Paterson
      • Don Paterson: Waking with Russell, The Circle and The Thread4 KB
      • Don Paterson: 11:00: Baldovan, The Swing and Why Do You Stay Up So Late?4 KB
    • Poetry, Imtiaz Dharker
      • Imtiaz Dharker: Bairn, Bloom and Letters to Glasgow4 KB
      • Imtiaz Dharker: Send this, Stitch and The Knot4 KB
    • Poetry, Kathleen Jamie
      • Kathleen Jamie: Crossing the Loch, Mr and Mrs Scotland Are Dead and Song of Sunday4 KB
      • Kathleen Jamie: Ospreys, The Morrow-bird and What the Clyde said, after COP264 KB
    • Poetry, Higher Scottish poetry collection
      • Higher Scottish poetry collection: Thomas the Rhymer, Composed in August and The Bonnie Broukit Bairn5 KB
      • Higher Scottish poetry collection: Summit of Corrie Etchachan, Da Clearance and 334 KB
  • Critical essay
    • Planning and writing a critical essay6 KB
    • Terms for any text5 KB
    • Writing about drama5 KB
    • Writing about prose fiction5 KB
    • Writing about prose non-fiction5 KB
    • Writing about poetry5 KB
    • Writing about film and television drama5 KB
    • Writing about language4 KB

The first note

Reading for understanding, analysis and evaluation / Reading a non-fiction passage

Higher English reading uses non-fiction of the kind found in newspapers and magazines: opinion columns, personal reflections, reports with a point of view, humorous pieces and arguments about an issue. The skill is close reading, which means paying attention to what the writer says and to how the language says it. Two questions sit behind everything: what are the writer's main ideas or views, and which techniques put those ideas across? ## What to establish before answering anything A first read should leave you able to say, in a sentence or two, what the passage is about and what the writer thinks about it. After that, three further questions are worth asking. 1. What is the writer trying to do? The aim might be to persuade, to inform, to provoke a reaction, to reflect on a personal experience or to entertain, and some pieces combine several. 2. Who is the writer talking to, and what do they assume the reader already knows or believes? A columnist who writes "we all remember" is building a shared position with the audience. 3. How does the passage develop? Many writers open with an anecdote or a striking image, move to the general issue, qualify their view and close by returning to the opening or by looking ahead. Making a margin note on each paragraph that says what the paragraph is for, in four or five words, is the quickest way to see the line of argument. A paragraph might be introducing a claim, giving an example, conceding a counter-argument or drawing a conclusion…

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